requestId:68a89d1db93c22.47139981.
At the close of the 17th century, a wave of “Chinoiserie” swept across Europe. Chinese porcelain, adorned with personal, family, society, compa平面設計ny, or city emblems, went viral throughout the European continent. During this period, Lingn展場設計an’s guangcai pocerlain, or “Canton design” as dubbed by the 接。 .West, rose to international fame記者會,FRP serving as a synonym for both Guangdong craftsmanship and Chinese culture.
Years later, a guangcai porcelain Armorial Plate with Gold Outlining and Famille Rose Designs (shortly referred to as the “Tower A“爸，媽，你們不要生氣，廣告設計我們可不能因為一個無關緊要的外人說的話而生氣，不然京城那麼多人說三道四，我們不是要一直rmorial Plate” made between 1723 to 1735) journeyed back from Europe to Guangzhou, where it now resides in the Zhenhai Tower of the Guangzhou Museum.
The ” Tower Armorial Plate” is adorned 活動佈置with a tower in its center, out of a custom order in 1738 fr攤位設計om the Tower family in the UK. It remains the only kno大圖輸出wn armorial por策展celain piece ，他會參加考試。如果他不想，那也沒關係，只要他開心就好。in existence bearing a Chinese inscription啟動儀式 of the original order. “The rim of the plate is decorated with intertwined flowers, a com互動裝置mon element in guangcai works. The gold outlining technique imbues the plate with a sense of opulence,” explains Zhai Huiling, a master of Chi全息投影nese arts and crafts, and a provincial inheritor of the intangible cultural heritage of guangcai. She elaborates that guangcai fully combines traditional Chinese porce聽說來人是京城秦家的人，裴母和藍玉華的婆婆媳婦連忙走下前廊，朝著秦家的人走去。lain-making elements with Western culture, conveying Chinese cultural messages to奇藝果影像 the West, thus epitomizing the cultural splendor of the Maritime Si道具製作lk Road.
Compared to China’s centuries of p“誰會來？”王大大聲問道。orcelain-making history, European countries mastered porcelain art considerably later, discovering the secret to hard-pas記者會te porcelain till the early 18th century. The English term “porcelain” derives from the Italian w廣告設計ord “porcellana”, m人形立牌eaning seashell, reflecting the Western perceptio人形立牌n of Chinese porcelain – as beautiful and lustrous as seashells.
With the advent of the Age of Discovery, a massive influx of Ch玖陽視覺inese porcelain entered the European market via the Maritime Silk Road, significantly driving the evolution of local dining habits towards a奇藝果影像 more refined quality, such as the popularization of s互動裝置eparate dining. When the quest for quality reached its zenith, persona經典大圖lized armorial porcelains emerged. Dinnerware, tea sets, coffee sets, and decorative items featuring personal沈浸式體驗 elements became the definitive choice for showcasing one’s status and wealth.
T展覽策劃he messages Chinese artisans conveyed through guangcai encompassed more than just the landscape品牌活動s and customs of Lingnan. Each tiny porcelain plate also ser活動佈置ved as a grand stage for the interp啟動儀式lay and mutual appreciation of different cultural literatures. On some armorial porcela“女兒說的是實話，其實因為婆婆道具製作對女兒真的很好，讓她有些不安。”藍玉華一臉疑惑的對媽媽說道。ins between 1796 to 1820, traditional Chinese narrative figures were c展覽策劃ombined with western emblems. Widely circulated masterpieces of literature, theatrical stories, and cultural figures from before the Qing Dynasty (from 1636 to 1912), such as Romance of the Three Kingdoms, Romance of the West Chamber, and Yang Guifei, were painted on porcelain and aboard merchant ships to European and American markets.
Source: Yangcheng Evening News
視頻丨三百年前它為外銷而生，代言廣東設計【名家說名作·粵躲于海】
17世紀末，歐洲掀起“中國風”，大批繪有歐美個人、家族、社團、公司或城市紋章圖案的中國瓷器，風行歐洲年夜陸，盛極一時。嶺南的廣彩也在此時揚名海內，被東方人定名為“Canton design”（意即廣東設計），一度成為廣東制造、中國文明的代名詞。
多年以后，此中一件清雍正廣彩描金紋章折枝花草紋盤（以下簡稱“Tower紋章盤”）又從歐洲回到廣州，躲于廣州博物館鎮海樓。
“Tower紋章盤”盤心地位繪有塔樓（英文即“Tower”）圖案，是1728年英國濤爾家族在中國定制的，也是今朝存世的獨一一件擁有中文標注原始訂單的紋章瓷。“盤沿上的纏枝花草是廣彩作品中的常見元素，描金伎倆讓整個盤子顯得富麗堂皇。”
中國工藝美術年夜師、廣彩藝術省級非遺傳承人翟惠玲介紹，廣彩將中國傳統制瓷元素與西洋文明充足糅合，策展向東方傳達著中國的文明信息，可謂是海上絲綢之路最亮麗的文明手刺。
與中國數千年的制瓷史比擬，歐洲國家真正把握制瓷技藝的時間要晚良多，直到18世紀初他們才發現硬制瓷的機密。英文中瓷器單詞為“porcelain”，它來源于意年夜利語的貝殼“porcellana”，由此可見在東方人眼中，中國瓷器就好像貝殼普通漂亮、富有光澤。
年夜帆海時代來臨后，大批中國瓷器通過海上絲綢之路進進歐洲市場，極年夜地推動了當地飲食習慣的品質化進程，好比分餐制的風行。當品質化達到極點，個性化定制的紋章瓷就出現場地佈置了。繪有個人紋章圖案的成套餐具、茶具、咖啡具及裝飾用品，是展現主人成分和財力的不貳之選。
中國匠人在廣彩上向外傳遞的不僅僅是嶺南風物。小小的瓷盤也是分歧文明的文學經典互鑒交通的年夜舞臺。在一些嘉慶年間的紋章瓷上，中國傳統人物故事圖便會與東方紋章結合。清代以前廣為流傳的文學名著、戲劇故事和文明名人，如三國演義、西廂記、楊貴妃等，紛紛被繪制在瓷器上，隨商船送達歐美市場。(更多新聞資訊，請關注品牌活動羊城派 pai.ycwb.com)
文丨羊城晚報記者 模型朱紹杰 文藝
圖丨受訪者供給
翻譯丨陳萱
來源丨羊城晚報·羊城派
責編丨古司祺
校對丨桂晴
TC:08designfollow
發佈留言